Johannes Evert Hendrik Akkeringa (1862-1942)

Scheveningse Bomschuiten op het strand

Gesigneerd

Olieverf op doek

45 x 64 cm

Herkomst: Collectie B. de Geus van den Heuvel, Lusthof Rupelmonde, Nieuwersluis, Nederland
Amsterdam, Kunstveilingen S.J. Mak van Waay, 1976, bladzijde 131, nummer 223

Tentoonstellingen: Amsterdam, Stedelijk Museum, Van Romantiek tot Amsterdamse School, juli/september 1958, nummer C 104

Louis Apol (1850-1936)

A winter landscape with a farmer and a horse and a windmill along a river

Signed

Oil on panel

21.5 x 26.5 cm

Louis Apol (1850-1936)

Houtsprokkelaars op besneeuwd bospad

Gesigneerd

Olieverf op doek

80.5 x 122 cm

Herkomst: Pieter A. Scheen, Den Haag
Collectie Klein Drakestein, Lage Vuursche, Nederland

Pieter Willem van Baarsel (1879-1949)

Apples on a branch

Signed and dated Aug.1927

Oil on canvas laid down on carton

24 x 39.5 cm

Carl Emil Baagoe (1829-1902)

Stoomschroefschip Willem de Derde nabij Fort Trekroner voor de havenmond van Kopenhagen

Gesigneerd en gedateerd 1866

Olieverf op doek

38.5 x 61 cm

Het schip werd in 1855 gebouwd en was vanaf 1859 eigendom van de Koninklijke Nederlandse Stoomboot Maatschappij
In 1870 loopt de Willem III aan de grond en breekt doormidden

Leon Georges Carre (1878-1942)

The Parisian cab

Signed and dated Paris Janvier 1908

Oil on panel

37.5 x 45.5 cm

Siebe Johannes ten Cate (1858-1908)

View of river Thames, Londen

Signed and dated Londres 1891

Oil on canvas

45 x 85 cm

Eugene Ciceri (1813-1890)

Ramasseur de goemon; seaweed pickers, Brittany

Signed

Watercolour on paper

26.5 x 42.5 cm

Robert Crommelyck (1895-1968)

A Muse

Signed and dated ‘18

Watercolor and bodycolor on paper

19 x 11.5 cm

William Degouve de Nuncques (1867-1935)

Summer in Brabant, Flanders

Signed with initials and dated '10

Oil and pastel on board

45 x 70 cm

Jean Delvin (1853-1922)

King of the Jungle resting

Signed and dated 1881

Charcoal on paper

39.5 x 63.5 cm

(SOLD)

Charles Despiau (1874-1946)

Portrait of the Polish painter Eugen Zak (1884-1926)

Signed

Bronze (stamped cire perdue Valsuani)

h. 36 cm (incl. marble base 45 cm)

We like to thank Dr Elisabeth Lebon for her help in cataloguing this work

Ted (Theodore) van Dijk (b.1948)

Embossed Sjablone, serie IV, number 3

Signed, titled and dated 1984 on a label on the reverse

Perspex

100 x 100 cm

Comparable works by the artist are in Museum Boijmans van Beuningen Rotterdam and Museum Voorlinden, Wassenaar

Pierre Louis Dubourcq (1815-1873)

Temples, Paestum, Italy

Signed and dated ‘51

Oil on panel

39 x 56.5 cm

Exhibited: Rotterdam, Kunsthal, de Blijvende Verlokking, 31 May-31 August 2003, p.73 (illustrated)

This work will be included in the exhibition Wanderlust (10 April-4 September 2022) organized in the Dordrecht Museum

(SOLD to museum Haus Koekkoek, Cleve)

Pierre Louis Dubourcq (1815-1873)

View of Albano, Italy

Signed and dated Albano 18 aug 1843

Oil on paper laid down on canvas

44.5 x 64 cm

Exhibited: Rotterdam, Kunsthal, de Blijvende Verlokking, 31 May-31 Augus 2003, p. 81 (illustrated)

Suzanne Dumond-Letorey (1911-2002)

Zoutpannen van het Meer van Assal, Djibouti, Afrika

Gesigneerd en gedateerd 1939

Olieverf op doek

61 x 92.5 cm

Tentoonstelling: Parijs, Salon de la Societe des artiste Francais,1939, nummer 974
Parijs, Salon de la Societe des artistes Francais, 1942, nummer 118

Suzanne Dumond-Letorey is een vrouwelijke Franse kunstenaar die onder meer tussen 1934-1957 in Djibouti en Madagaskar leefde en werkte

De exploitatie van zeezout was indertijd een van de weinige industrieën van Djibouti, hoofdstad van Frans Somaliland , aan de Noordoost kust van de Hoorn van Afrika

Jean-Baptiste Henri Durand-Brager (1814-1879)

View of the Bosphorus

Signed and indistinctly dated

Oil on panel

22 x 41 cm

Jaap Egmond (1913-1997)

Untitled

Signed and dated ’88 on the reverse

Relief (metal on wood)

54.5 x 54.5 cm

Jean Claude Forquin (1936-1964)

Sunny Paysage; abstract composition

Signed and dated ‘58

Oil on canvas

65 x 53 cm

Charles Geefs (1829-1910)

Mutual Admiration

Signed and dated 1894

Oil on canvas

102.5 x 57.5 cm

Luigi Napoleone Grady (1860-1949)

Waves at Monterosso al Mare, cinque Terre, Italy

Signed

Oil on panel

30 x 50 cm

Alexandre Graverol (1865-1949)

Salomé met hoofd Johannes de Doper

Gesigneerd en gedateerd ‘07

Potlood, inkt en aquarel op papier

21 x 13 cm (39 x 27 cm inclusief de oorspronkelijke lijst)

Graverol studeerde in Parijs bij de grote meester Pierre Puvis de Chavannes (1824-1898) en werd al snel opgenomen in de kringen van de Symbolisten aldaar en in Brussel

Regelmatig nam hij deel aan de 'soirees' die door de fotograaf Nadar op Boulevard des Capucines 35 in Parijs werden georganiseerd

Vanwege zijn impulsieve en opvliegende karakter vertrok Graverol naar Brussel waar hij zijn kapitaal er met kaarspelen doorheen jaagde

Ferdinand Hart Nibbrig (1866-1915)

Zoutelande

Gesigneerd

Olieverf op doek

40 x 63.5 cm

Te dateren tussen 1910-1915

Emile Hoeterickx (1858-1923)

Heavy Traffic on London Bridge

Signed and dated 1882

Watercolor op paper

12.5 x 17 cm

In a letter from 17/18 September 1882 to his brother Theo, Vincent van Gogh, when visiting an exhibition in the Hague, wrote:
“there were beautiful town and beach views with small figures by Hoeterickx”

(SOLD)

Pieter D’Hont (1917-1997)

Portrait of Sylvie D’Hont-Kogl

Bronze, from an edition of six

59 cm high

To be dated 1957

In 1966 an edition of five, seize 166 cm., were executed

One of them stands in front of the RIVM in Bilthoven

And another one is on the corner of Spui and Singel, Amsterdam

Literature: Jan Teeuwisse a.o. Pieter d’Hont leven en werk 1917-1997, Utrecht, 1999, page 42 (illustrated) and page 135, no.VP22III, (illustrated)

Vilmos Huszar (1884-1960)

Composition

Signed with initials

Pencil, pen and ink and watercolor on paper

6.5 x 3 cm

A design for a stained glass window

To be dated circa 1931

(SOLD)

Isaac Israels (1865-1934)

Dancing couple

Charcoal and colored chalk on paper

38 x 40 cm

Isaac Israels (1865-1934)

Sunbathing, Viareggio, Italy

Signed

Oil on canvas

40 x 50 cm

Provenance: Christie’s Amsterdam, 25 October 2005; Simonis and Buunk, Ede ; private collection the Netherlands since 2005
The actress Jacqueline Royaards-Sandberg (1876-1976)
Van Voorst van Beest, The Hague, 1991
Christie’s Amsterdam, 25 October 2005, lot 183
Simonis en Buunk, Ede, 2005
Private collection, the Netherlands, 2005-2021

Literature: Dolf Welling, Isaac Israels: the sunny world of a Hague Cosmopolitain, the Hague, 1991,p.40 in col. illus.
Antoon Erftemeijer, Isaac Israels aan Zee, Haarlem, 2007,p.58 and no 78 col. illus.

Exhibited: Haarlem, Museum de Hallen, Israels aan Zee, 9 June-19 August 2007

(SOLD)

Johan Bartold Jongkind (1819-1891)

Kalkhaven, Dordrecht, at sunset

Signed and dated 1875

Oil on canvas

24 x 32.5 cm

Exhibited: E.J. van Wisselingh and Co, Amsterdam, inv.no. 1935X

Literature: Hefting 639; Stein 729

Nico Jungmann  (1872-1935)

Portrait of a young girl

Signed with monogram, and signed again and dated 1901, and inscribed on the reverse

Pastel on paper

42 x 32 cm

Nico Jungmann (1872-1935)

A young girl in a Marken costume

Signed and dated 1916

Chalk, watercolor and bodycolor on paper

26.5 x 22.5 cm

In an original frame

Raimond Kimpe (1885-1970)

Ice hockey players

Signed

Oil on canvas

80 x 100 cm

Cornelis Kloos (1895-1976)

Self-portrait as a sculptor holding a lump of clay

Inscribed and dated 1929 on the reverse

Oil on panel

36.5 x 34 cm

Literature: Paul van Dongen, a.o. , Cornelis Kloos, Museum de Wieger, Deurne, 1996, page 26 (illustrated) and page 62

Johan Daniel Koelman (1831-1857)

The harvest

Signed and dated 53 fec.

Pencil and grey wash on paper

27.5 x 47 cm

Literature: cf. J.Knoef, van Romantiek tot Realisme, Den Haag, 1947, pp. 223-232

Exhibited: cf. Kunsthal Rotterdam, de blijvende verlokking, 31 May-31 August 2003, pp. 86-91

Willem van Konijnenburg (1868-1943)

Squirrels

Signed with monogram

Brown chalk on paper

34 x 23.5 cm

Provenance: the family of the artist

Carl Robert Kummer (1810-1889)

Reiziger in heuvelachtig landschap nabij Sintra, Portugal, bij ondergaande zon

Gesigneerd, gedateerd 1859 en geannoteerd ‘Cintra’ op een oud label verso

Olieverf op karton

28.5 x 45.5 cm

De kunstenaar was een leerling van J.C Dahl te Dresden en was bevriend met Caspar David Friedrich
In 1859 bereisde Kummer Portugal

Charles Leickert (1816-1907)

IJs gezicht met schaatsers

Gesigneerd en gedateerd ‘69

Olieverf op doek

100 x 138 cm

Herkomst: Christie’s Londen, 22 Juli 1977, lot 15
Richard Green Galleries, Londen
Christie’s New York, 29 februari 1984, lot 27
Christie’s Amsterdam, 31 Oktober 1989, lot 363
Particuliere Collectie, Klein Drakestein, Lage Vuursche, Nederland

Literatuur: Harry J. Kraaij, Charles Leickert: painter of the Dutch landscape, 1996, bladzijde 95, illustratie 70

(SOLD)

Dirk Govert van Luijn (1896-1981)

Clouds and Open Space

Signed and dated sept’21

Pencil and black chalk on paper

33.5 x 40.5 cm

(SOLD)

Serafino Macchiati (1861-1916)

A self-portrait

Signed with initials

Oil on canvas

14 x 21 cm

To be dated circa 1900

Adrien-Jean le Mayeur de Merpres (1880-1958)

Interior of Saint Marco, Venice

Oil on board

27.5 x 22.5 cm

Accompanied by a letter of authentication by Cathinka Huizing from 2014

Literature: cf. J. Ubbens and C. Huizing, A.J. le Mayeur, 1995, page 36 and illustrations on page 43 and 44

Hendrik Willem Mesdag (1831-1915)

Bomschuiten en vissers op het strand Scheveningen

Gesigneerd

Olieverf op doek

49 x 78 cm

Literatuur: Johan Poort, H.W. Mesdag, oeuvre catalogus supplement, 1997, p.88, illustratie 2030-64

Anton Molkenboer (1872-1960)

Saint Bavo

Signed with monogram and dated 1923

Watercolor and gouache on paper

59 x 37 cm

Henri August Alban Moral (1840-1889)

Dog resting in a garden

Signed

Oil on canvas laid down on cardboard

26 x 34 cm

The artist is from Lille, France

Dirk Berend Nanninga (1868-1954)

Nocturne; Blue and Silver

Signed

Oil on canvas laid down on board

41 x 30 cm

To be dated possibly between 1891-1894

Nanninga lived from 1891-1894 in London and was influenced by Whistler, f.i. his Nocturne; blue and silver, Chelsea from 1871 in the Tate Britain. In 1896 Whistler organized an exhibition and asked Nanninga to represent the Netherlands

"Blue is the colour of dreams"
(Fernand Khnopff, 1892)

Jaap Nanninga (1904-1962)

Composition

Signed and dated ‘59

Pastel and mixed media on paper

65 x 50 cm

Provenance: directly from the artist to the present owner

Carel de Neree tot Babberich (1880-1909)

Et Satan conduit le Bal

East-Indian ink on paper

35 x 8.5 cm

Executed in 1903

Directly from the family of the artist

The drawing is inspired by Felicien Rops and Aubrey Beardsley
The title of the drawing might stem from a refrain by Mephistopheles in Charles Gounod’s Opera Faust

In the years around 1900 parts of the Opera were often performed at the Scheveningen Kurhaus where de Neree probably heard the aria

Carel de Neree tot Babberich (1880-1909)

Two Figures

Signed with initials

East Indian ink on paper

34.5 x 21.5 cm

Dated 1899/1900

(SOLD)

Carel de Neree tot Babberich (1880-1909)

Walden

Titled verso in the artist’s handwriting

East Indian ink on paper

35 x 22 cm

To be dated circa 1901

Provenance: Gallery d’Audretsch, the Hague; Karel Citroen, Meentwijck Collection, the Netherlands

Exhibited: Amsterdam, Arti et Amicitiae, de Neree retrospective, 1910, catalogue number A 29
London, Picadilly Gallery,1966, catalogue number 6
Milan and Munich, Gallery Levante, 1970, catalogue number 6
Laren Singer,1974-75, catalogue number 9
Kleve, Haus Museum Koekkoek,1975,catalogue number 14
The Hague, Louis Couperus Museum, 2014-2015

De Neree named these type of drawing so called “book covers”
It must be taken not too literally as it was the general term he used for works inspired by literature

I like to thanks Sander Bink for his help describing this work
Please ask Ubbens Art for his complete text on the drawing

Hendrik van Oort (1775-1847)

View of the Southside of the Paulusporch, Utrecht, between the Lange Nieuwstraat and the Korte Nieuwstraat in winter

Signed and dated 1821

Oil on panel

42.5 x 33 cm

(SOLD to Centraal Museum, Utrecht)

David Oyens (1842-1902)

Les deux Amis

Signed and dated 1877

Oil on panel

32x 40 cm

Provenance: Kunsthandel Huinck&Scherjon, Amsterdam, no.1458

Adri Pieck (1894-1982)

Pomona: Allegory of Vegetarianism

Signed

Pencil, pen and ink, and watercolor on paper

31 x 19 cm

Possibly a design for a poster

Willem Roelofs (1822-1897)

Boerderijen

Gesigneerd

Olieverf op doek op karton

21.5 x 40 cm

Herkomst: Particuliere verzameling, Utrecht

Henriette Ronner (1821-1909)

Kittens playing

Signed

Oil on panel

33.5 x 44.5 cm

Provenance: Fine Art Society, London

Exhibited: Galerie George Giroux, Brussels, Henriette Ronner, 23-10-1933, number 26

Charles Rochussen (1814-1894)

Lion attack

Signed with monogram and dated ‘58

Oil on panel

23.5 x 34 cm

In an original frame

Dorus Roovers (1897-1953)

Symphony in Blue

Signed, signed again and titled on an old label on the stretcher

Oil on canvas

85 x 100 cm

Probably painted 1939-1940

Han Schuil (b.1958)

A dent painting; composition with stars

Signed and dated 96/97 on the reverse

Acrylic on folded aluminium with rivets

86 x 88 cm

Sara Sejin Chang (Sara van der Heide) (b.1977)

Coconut and Fireshow

Signed and dated worldexpo 2000 on the stretcher

Tempora on canvas

199 x 233 cm

Jan Sluyters (1881-1957)

Cubistic Stillife

Signed

Oil on canvas

42 x 33 cm

Painted 1912/13

Exhibited: 
Laren, Singer, Jan Sluyters: 100 schilderijen, 31 january-25 April 1999, number 55

Ben Snijders (b.1943)

'Flesje' (the little bottle)

Signed and dated ’76

Oil on panel

12 x 10.5 cm

Alfred Stevens (1823-1906)

Treport, Normandy

Signed

Oil on panel

41 x 32.5 cm

From 1881-1883 Stevens summered in the coastal city of Le Havre supported by the annual sum of 50.000 francs from the renowned Parisian art dealer Georg Petit who in return received exclusive rights to sell the seascapes he would paint there

Later, from 1890 onwards the artist left for Normandy, a.o. Treport, only once a year where he until 1902 or so kept on painting seascapes

Jan Toorop (1858-1928)

Landscape

Signed and dated 1924

Charcoal on paper

20.5 x 21 cm

Maurits van der Valk (1857-1935)

A rail track close to Amsterdam

Signed with monogram

Black chalk and pastel on paper

31.5 x 48 cm

Pierre de Vaucleroy (1892-1980)

On board of the passenger ship Elisabethville from Antwerp to Congo

Signed and darted 1926, and signed and dated and annotated Sous l’ Equateur on the
reverse

Oil on canvas laid down on board

30 x 40 cm

The Belgian artist Pierre de Vaucleroy has been one of the most renowned so-called Africanists of his time (cf. Lynne Thornton, Les Africanistes, 1990, pp.116, 118, 119, 123, 331)

Floris Verster (1861-1927)

Stillife with Doronicum in a ginger jar

Signed and dated 1910

Oil on panel

27 x 22 cm

Provenance: Collection H.Bruckmann-Kroller, the Hague, Kunsthandel G.J. Nieuwenhuizen Segaar, the Hague
Dr.Johan Polak, Amsterdam

Literature: Scherjon/Vogelaar, Floris Verster, 1928-2002/3, p.128, illustration number 188

Jacob Sybout ‘Jac’ de Vries (1907-1970)

Vulture/Californian Condor

Signed

Oil on canvas

100 x 70 cm

Froukje Wartena (1855-1933)

The little Professor

Signed and signed again with initials and titled on the reverse

Oil on panel

26.5 x 21.5 cm

Antoon van Welie (1866-1956)

Remembrance (Herinnering)

Signed and dated ft.1902, and inscribed with title

Pastel on paper

45 x 32.5 cm

Anthonie Jacobus van Wijngaerdt (1808-1882)

Avondschemering; Twilight

Signed, dated 1880, and inscribed with titel on the reverse

Oil on panel

8 x 5 cm

In an original period frame

Andre van Wilder (1871-1965)

La Pointe de Beg an Aud, Brittany, France

Signed

Pencil, charcoal and watercolor on paper

22.5 x 29.5 cm

Willem Witsen (1860-1923)

Violets in a vase

Signed

Oil on panel

26 x 19 cm

To be dated circa 1916