Johannes Evert Hendrik Akkeringa (1861-1942)

Children playing on a beach

Signed

Pencil, watercolor heightened with white

16.5 x 23.5 cm

(SOLD)

Johannes Evert Hendrik Akkeringa (1862-1942)

Scheveningse Bomschuiten op het strand

Gesigneerd

Olieverf op doek

45 x 64 cm

Herkomst: Collectie B. de Geus van den Heuvel, Lusthof Rupelmonde, Nieuwersluis, Nederland
Amsterdam, Kunstveilingen S.J. Mak van Waay, 1976, bladzijde 131, nummer 223

Tentoonstellingen: Amsterdam, Stedelijk Museum, Van Romantiek tot Amsterdamse School, juli/september 1958, nummer C 104

Louis Apol (1850-1936)

Houtsprokkelaars op besneeuwd bospad

Gesigneerd

Olieverf op doek

80.5 x 122 cm

Herkomst: Pieter A. Scheen, Den Haag
Collectie Klein Drakestein, Lage Vuursche, Nederland

Louis Apol (1850-1936)

A winter landscape with a farmer and a horse and a windmill along a river

Signed

Oil on panel

21.5 x 26.5 cm

(SOLD)

Armando (1929-2018)

Kopf

Signed, dated 20-7-89 and titled on the stretcher

Oil on canvas

90 x 70 cm

Carl Emil Baagoe (1829-1902)

Stoomschroefschip Willem de Derde nabij Fort Trekroner voor de havenmond van Kopenhagen

Gesigneerd en gedateerd 1866

Olieverf op doek

38.5 x 61 cm

Het schip werd in 1855 gebouwd en was vanaf 1859 eigendom van de Koninklijke Nederlandse Stoomboot Maatschappij
In 1870 loopt de Willem III aan de grond en breekt doormidden

Pieter Willem van Baarsel (1879-1949)

Apples on a branch

Signed and dated Aug.1927

Oil on canvas laid down on carton

24 x 39.5 cm

(SOLD)

Leon Georges Carre (1878-1942)

The Parisian cab

Signed and dated Paris Janvier 1908

Oil on panel

37.5 x 45.5 cm

Theobald Chartran (1849-1907)

Self portrait

With studio stamp (L.5026)

Pencil on paper

30 x 19.5 cm

(SOLD)

Ismael Adolphe Clavel (second half 19th century)

Admiring a work of art

Signed

Oil on canvas

47.5 x 67 cm

Robert Crommelyck (1895-1968)

A Muse

Signed and dated ‘18

Watercolor and bodycolor on paper

19 x 11.5 cm

William Degouve de Nuncques (1867-1935)

Summer in Brabant, Flanders

Signed with initials and dated '10

Oil and pastel on board

45 x 70 cm

Charles Despiau (1874-1946)

Portrait of the Polish painter Eugen Zak (1884-1926)

Signed

Bronze (stamped cire perdue Valsuani)

h. 36 cm (incl. marble base 45 cm)

We like to thank Dr Elisabeth Lebon for her help in cataloguing this work

Ted (Theodore) van Dijk (b.1948)

Embossed Sjablone, serie IV, number 3

Signed, titled and dated 1984 on a label on the reverse

Perspex

100 x 100 cm

Comparable works by the artist are in Museum Boijmans van Beuningen Rotterdam and Museum Voorlinden, Wassenaar

Jacob Dooijewaard (1876-1969)

Zomerochtend

Oil on canvas

80 x 85 cm / 31.5 x 33.5 inch

Signed lower left J.Dooijewaard 1930

Provenance: Francois Buffa, Amsterdam; Private collection, Houston, USA

Jacob Dooijewaard travelled to Norway almost every summer, where he would stay at the house of his good friend and painter William Singer. The surroundings, the nature and the bright light were of important inspiration to Dooijewaard. His palette had become lighter under the influence of the climate and the different light, the heavy warm colours of the Low Countries giving way to soft, cool and serene hues. Dooijewaard would look for new mediums to portray his Norwegian experiences and pointillist techniques offered him natural possibilities in this new environment.

In this painting, which Dooijewaard painted in 1930, he depicted a nanny sitting on a bench with a baby carriage in front of her. She is completely focused on the activity of sewing or embroidering the white cloth she holds in her hands. The surrounding nature breathes a realm of serenity. The clear blue sky, the beautiful green cliffs of the fjord, the sleeping baby and the concentrated nanny: everything points to a peaceful environment. Dooijewaard evidently succeeded in representing the pleasant feelings he had about Norway in ‘Nanny at the Fjord’

The woman appears to be Anna Singer in her garden near Olden, Norway

Pierre Louis Dubourcq (1815-1873)

Temples, Paestum, Italy

Signed and dated ‘51

Oil on panel

39 x 56.5 cm

Exhibited: Rotterdam, Kunsthal, de Blijvende Verlokking, 31 May-31 August 2003, p.73 (illustrated)

This work will be included in the exhibition Wanderlust (10 April-4 September 2022) organized in the Dordrecht Museum

(SOLD to museum Haus Koekkoek, Cleve)

Suzanne Dumond-Letorey (1911-2002)

Zoutpannen van het Meer van Assal, Djibouti, Afrika

Gesigneerd en gedateerd 1939

Olieverf op doek

61 x 92.5 cm

Tentoonstelling: Parijs, Salon de la Societe des artiste Francais,1939, nummer 974
Parijs, Salon de la Societe des artistes Francais, 1942, nummer 118

Suzanne Dumond-Letorey is een vrouwelijke Franse kunstenaar die onder meer tussen 1934-1957 in Djibouti en Madagaskar leefde en werkte

De exploitatie van zeezout was indertijd een van de weinige industrieën van Djibouti, hoofdstad van Frans Somaliland, aan de Noordoost kust van de Hoorn van Afrika

(SOLD)

Jean-Baptiste Henri Durand-Brager (1814-1879)

View of the Bosphorus

Signed and indistinctly dated

Oil on panel

22 x 41 cm

Jaap Egmond (1913-1997)

Untitled

Signed and dated ’88 on the reverse

Relief (metal on wood)

54.5 x 54.5 cm

Geza Farago (1877-1928)

The Budapest Operetta Theatre

Signed

Oil on paper laid down on board

75 x 59.5 cm

The Hungarian artist and illustrator Farago got his training in the Parisian studio of Alfons Mucha

To be dated circa 1917/18

French School, circa 1880

A hand holding a cigarette, a sketch

Oil on canvas

24.5 x 19 cm

(SOLD)

After Paul Gavarni, 19th century

La Peinture

Inscribed Les Muses

Oil on a palette

28 x 41.5 cm

This is possibly after a lithograph by Gavarni (1804-1866) from 1836 from the series Les Muses

Charles Geefs (1829-1910)

Mutual Admiration

Signed and dated 1894

Oil on canvas

102.5 x 57.5 cm

German/French School, 19th century

Clouds-a sketch

Oil on canvas laid down on carton

Indistinctly monogrammed

27.5 x 23 cm

(SOLD)

Luigi Napoleone Grady (1860-1949)

Waves at Monterosso al Mare, cinque Terre, Italy

Signed

Oil on panel

30 x 50 cm

(SOLD)

Alexandre Graverol (1865-1949)

Salomé met hoofd Johannes de Doper

Gesigneerd en gedateerd ‘07

Potlood, inkt en aquarel op papier

21 x 13 cm (39 x 27 cm inclusief de oorspronkelijke lijst)

Graverol studeerde in Parijs bij de grote meester Pierre Puvis de Chavannes (1824-1898) en werd al snel opgenomen in de kringen van de Symbolisten aldaar en in Brussel

Regelmatig nam hij deel aan de 'soirees' die door de fotograaf Nadar op Boulevard des Capucines 35 in Parijs werden georganiseerd

Vanwege zijn impulsieve en opvliegende karakter vertrok Graverol naar Brussel waar hij zijn kapitaal er met kaarspelen doorheen jaagde

(SOLD)

Cees Groenewoud Kramer (1918-2000)

Bloemen (Flowers)

Signed with initials, dated ’55 and signed again and titled on the stretcher

Oil on canvas

80 x 50 cm

(SOLD)

Stacha Halpern (1919-1969)

Abstract Composition

Signed and dated ‘56

Oil on canvas

9 x 22.5 cm

Ferdinand Hart Nibbrig (1866-1915)

Zoutelande

Gesigneerd

Olieverf op doek

40 x 63.5 cm

Te dateren tussen 1910-1915

Ferdinand Hart Nibbrig (1866-1915)

Zoutelande

Signed

Oil on canvas

40 x 50 cm

To be dated circa 1910-15

(SOLD)

Emile Hoeterickx (1858-1923)

Heavy Traffic on London Bridge

Signed and dated 1882

Watercolor op paper

12.5 x 17 cm

In a letter from 17/18 September 1882 to his brother Theo, Vincent van Gogh, when visiting an exhibition in the Hague, wrote:
“there were beautiful town and beach views with small figures by Hoeterickx”

(SOLD)

Pieter D’Hont (1917-1997)

Portrait of Sylvie D’Hont-Kogl

Bronze, from an edition of six

59 cm high

To be dated 1957

In 1966 an edition of five, seize 166 cm., were executed

One of them stands in front of the RIVM in Bilthoven

And another one is on the corner of Spui and Singel, Amsterdam

Literature: Jan Teeuwisse a.o. Pieter d’Hont leven en werk 1917-1997, Utrecht, 1999, page 42 (illustrated) and page 135, no.VP22III, (illustrated)

Isaac Israëls (1865-1934)

Children chilling in Bois de Boulogne, Paris

Signed

Oil on canvas

38.5 x 46 cm

To be dated 1905-07

(SOLD)

Isaac Israels (1865-1934)

Dancing couple

Charcoal and colored chalk on paper

38 x 40 cm

(SOLD)

Johan Bartold Jongkind (1819-1891)

Kalkhaven, Dordrecht, at sunset

Signed and dated 1875

Oil on canvas

24 x 32.5 cm

Exhibited: E.J. van Wisselingh and Co, Amsterdam, inv.no. 1935X

Literature: Hefting 639; Stein 729

(SOLD)

Nico Jungmann  (1872-1935)

Portrait of a young girl

Signed with monogram, and signed again and dated 1901, and inscribed on the reverse

Pastel on paper

42 x 32 cm

Nico Jungmann (1872-1935)

A young girl in a Marken costume

Signed and dated 1916

Chalk, watercolor and bodycolor on paper

26.5 x 22.5 cm

In an original frame

(SOLD)

Frederik Hendrik Kaemmerer (1839-1902)

Studies of hands and Arms (2)

Oil on canvas

26 x 17.5 cm and 20 x 22 cm

Wilhelmus Jacobus Kerremans (1828-1889)

The disturbed meal

Signed

Oil on panel

29 x 23 cm

The painter was clearly influenced by the master of candlelight scenes Petrus van Schendel

Raimond Kimpe (1885-1970)

Ice hockey players

Signed

Oil on canvas

80 x 100 cm

One of the players wears the tricot of the Tilburg Trappers

(SOLD)

Cornelis Kloos (1895-1976)

Self-portrait as a sculptor holding a lump of clay

Inscribed and dated 1929 on the reverse

Oil on panel

36.5 x 34 cm

Literature: Paul van Dongen, a.o. , Cornelis Kloos, Museum de Wieger, Deurne, 1996, page 26 (illustrated) and page 62

Johan Daniel Koelman (1831-1857)

The harvest

Signed and dated 53 fec.

Pencil and grey wash on paper

27.5 x 47 cm

Literature: cf. J.Knoef, van Romantiek tot Realisme, Den Haag, 1947, pp. 223-232

Exhibited: cf. Kunsthal Rotterdam, de blijvende verlokking, 31 May-31 August 2003, pp. 86-91

Willem van Konijnenburg (1868-1943)

Squirrels

Signed with monogram

Brown chalk on paper

34 x 23.5 cm

Provenance: the family of the artist

(SOLD)

David Johannes van de Kop (1937-1994)

Untitled

Iron

Height 27 cm (incl. base)

To be dated 1964/65

(SOLD)

Anton Kristians (1883-1957)

Amstelveense Weg - a sketch

Signed, and signed again and titled on the reverse

Oil on board, 21 x 38.5 cm

To be painted probably before 1913 when the artist left for Paris

(SOLD)

Carl Robert Kummer (1810-1889)

Reiziger in heuvelachtig landschap nabij Sintra, Portugal, bij ondergaande zon

Gesigneerd, gedateerd 1859 en geannoteerd ‘Cintra’ op een oud label verso

Olieverf op karton

28.5 x 45.5 cm

De kunstenaar was een leerling van J.C Dahl te Dresden en was bevriend met Caspar David Friedrich
In 1859 bereisde Kummer Portugal

(SOLD)

Charles Leickert (1816-1907)

IJs gezicht met schaatsers

Gesigneerd en gedateerd ‘69

Olieverf op doek

100 x 138 cm

Herkomst: Christie’s Londen, 22 Juli 1977, lot 15
Richard Green Galleries, Londen
Christie’s New York, 29 februari 1984, lot 27
Christie’s Amsterdam, 31 Oktober 1989, lot 363
Particuliere Collectie, Klein Drakestein, Lage Vuursche, Nederland

Literatuur: Harry J. Kraaij, Charles Leickert: painter of the Dutch landscape, 1996, bladzijde 95, illustratie 70

(SOLD)

Serafino Macchiati (1861-1916)

A self-portrait

Signed with initials

Oil on canvas

14 x 21 cm

To be dated circa 1900

Jacob Maris (1837-1899)

Het Jagerspad

Signed

Oil on panel

33 x 21 cm

(SOLD)

Willem Maris (1844-1910)

Ducks

Signed

Oil on canvas

22.5 x 46 cm

To be dated circa 1890

Provenance: E.J. van Wissselingh & CVo., Amsterdam, inv.no. 8054
Kunsthandel M.L. de Boer, Amsterdam, inv no. 5231

In his works it is not the animals but the light that actually play the leading role

Anton Mauve (1838-1888)

The sheepbarn, Laren, in winter

Signed

Oil on panel

27 x 36 cm

(SOLD)

Adrien Jean le Mayeur de Merpres (1880-1958)

Sunbathers, Saint Tropez

Signed, and inscribed nr 96 and nr 56 on the reverse

Oil on cardboard

45.5 x 55 cm

Painted 1926

Literature: Ubbens/Huizing, le Mayeur, 1995, page 67, illustration number 98

(SOLD)

Adrien Jean le Mayeur de Merpres (1880-1958)

View of Venice

Signed, and inscribed nr 10 Venise la Rose on the reverse

Oil on canvas

46 x 55 cm

Painted circa 1921

Literature: Ubbens/Huizing, le Mayeur, 1995, page 70, illustration number 104

(SOLD)

Hendrik Willem Mesdag (1831-1915)

Bomschuiten en vissers op het strand Scheveningen

Gesigneerd

Olieverf op doek

49 x 78 cm

Literatuur: Johan Poort, H.W. Mesdag, oeuvre catalogus supplement, 1997, p.88, illustratie 2030-64

(SOLD)

Anton Molkenboer (1872-1960)

Saint Bavo

Signed with monogram and dated 1923

Watercolor and gouache on paper

59 x 37 cm

Marc Mulders (born 1958)

Peacock

Signed and dated 090912

Mixed media and collage on paper

50 x 64 cm

Provenance: directly from the artist to the present owner

Marc Mulders (born 1958)

Vogel (Bird)

Signed with initial, and signed again, dated 201108, and titled on the reverse

Oil on canvas

50 x 70 cm

Provenance: directly from the artist

(SOLD)

Jaap Nanninga (1904-1962)

Composition

Signed and dated ‘59

Pastel and mixed media on paper

65 x 50 cm

Provenance: directly from the artist to the present owner

Dirk Berend Nanninga (1868-1954)

Nocturne; Blue and Silver

Signed

Oil on canvas laid down on board

41 x 30 cm

To be dated possibly between 1891-1894

Nanninga lived from 1891-1894 in London and was influenced by Whistler, f.i. his Nocturne; blue and silver, Chelsea from 1871 in the Tate Britain. In 1896 Whistler organized an exhibition and asked Nanninga to represent the Netherlands

"Blue is the colour of dreams"
(Fernand Khnopff, 1892)

(SOLD)

Carel de Neree tot Babberich (1880-1909)

Et Satan conduit le Bal

East-Indian ink on paper

35 x 8.5 cm

Executed in 1903

Directly from the family of the artist

The drawing is inspired by Felicien Rops and Aubrey Beardsley
The title of the drawing might stem from a refrain by Mephistopheles in Charles Gounod’s Opera Faust

In the years around 1900 parts of the Opera were often performed at the Scheveningen Kurhaus where de Neree probably heard the aria

(SOLD)

Carel de Neree tot Babberich (1880-1909)

Walden

Titled verso in the artist’s handwriting

East Indian ink on paper

35 x 22 cm

To be dated circa 1901

Provenance: Gallery d’Audretsch, the Hague; Karel Citroen, Meentwijck Collection, the Netherlands

Exhibited: Amsterdam, Arti et Amicitiae, de Neree retrospective, 1910, catalogue number A 29
London, Picadilly Gallery,1966, catalogue number 6
Milan and Munich, Gallery Levante, 1970, catalogue number 6
Laren Singer,1974-75, catalogue number 9
Kleve, Haus Museum Koekkoek,1975,catalogue number 14
The Hague, Louis Couperus Museum, 2014-2015

De Neree named these type of drawing so called “book covers”
It must be taken not too literally as it was the general term he used for works inspired by literature

I like to thanks Sander Bink for his help describing this work
Please ask Ubbens Art for his complete text on the drawing

Karel Ooms (1845-1900)

View of le Havre harbour

Signed and dated 13/6 ’80, and with the artists seal on the reverse

Oil on canvas laid down on panel

13.5 x 34 cm

(SOLD)

Hendrik van Oort (1775-1847)

View of the Southside of the Paulusporch, Utrecht, between the Lange Nieuwstraat and the Korte Nieuwstraat in winter

Signed and dated 1821

Oil on panel

42.5 x 33 cm

(SOLD to Centraal Museum, Utrecht)

David Oyens (1842-1902)

Les deux Amis

Signed and dated 1877

Oil on panel

32x 40 cm

Provenance: Kunsthandel Huinck&Scherjon, Amsterdam, no.1458

(SOLD)

Adri Pieck (1894-1982)

Pomona: Allegory of Vegetarianism

Signed

Pencil, pen and ink, and watercolor on paper

31 x 19 cm

Possibly a design for a poster

Anton Pieck (1895-1987)

The stagecoach from Amsterdam-the Hague in winter

Signed and dated 1939

Pencil, pen and ink, watercolor and gouache on paper

34.5 x 46 cm

Jan Rijlaarsdam (1911-2007)

Activities in a bar

Signed

Pencil and watercolor on paper

13.5 x 23.5 cm

(SOLD)

Suze Robertson (1855-1922)

Moeder en Kind (Mother and Child)

Signed

Oil on canvas

40 x 32 cm

To be dated 1904

Exhibited: Haags Gemeente Museum, Den Haag, Suze Robertson en Willem de Zwart, 1 Aug-27 Sept. 1942, no.23

The artist was the first and one of the few female students at the Royal Art Academy in the Hague

Both Breitner and van Gogh admired her work

In 2022 in both the Panorama Mesdag and the Noord Veluws museum in Nunspeet a retrospective on her life and works will be held

(SOLD)

Alexandre Auguste Robineau (1747-1828)

The Violin Player

Signed and dated 1812

Oil on canvas

18.5 x 15 cm

In an 19th century frame

(SOLD)

Willem Roelofs (1822-1897)

Boerderijen

Gesigneerd

Olieverf op doek op karton

21.5 x 40 cm

Herkomst: Particuliere verzameling, Utrecht

Willem Roelofs (1822-1897)

Souvenir a effet de pluie a Gouda, Cows

Signed (twice) and inscribed with title on the reverse

Oil on panel

23 x 41 cm

To be dated 1884

Literature: Marjan van Heteren, Robert-Jan te Rijdt, Willem Roelofs; de adem der natuur, 2006, p.168, no 93a

(SOLD)

Willem Roelofs (1822-1897)

Zonbelichte watermolen met koeien aan de oever (De watermolen van Ruurlo, bij Zutphen)

Gesigneerd

69 x 101.5 cm

(SOLD)

Henriette Ronner (1821-1909)

Kittens playing

Signed

Oil on panel

33.5 x 44.5 cm

Provenance: Fine Art Society, London

Exhibited: Galerie George Giroux, Brussels, Henriette Ronner, 23-10-1933, number 26

Dorus Roovers (1897-1953)

Symphony in Blue

Signed, signed again and titled on an old label on the stretcher

Oil on canvas

85 x 100 cm

Probably painted 1939-1940

(SOLD)

Ru van Rossem (1824-2007)

The bird

Signed and dated  ‘48

Watercolor on paper

25.5 x 13.5 cm

Chris le Roy (1884-1969)

Woudaapje (little bittern)

Signed and dated twice (15 mrt) 1924, inscribed with title

Brown chalk and watercolor on paper

30.5 x 24 cm

The Rijksprentenkabinet owns 6 drawings and 49 engravings by le Roy
He specialized in drawings and engravings of flora and fauna mostly commissioned by de Nederlandse Natuurhistorische Vereniging

(SOLD)

Johan Adolf Rust ( 1828-1915)

Farmhouse of ‘Hus’,  Scheveningen

Signed

Watercolor on paper

36.5 x 63 cm

Han Schuil (b.1958)

A dent painting; composition with stars

Signed and dated 96/97 on the reverse

Acrylic on folded aluminium with rivets

86 x 88 cm

Jan Sluijters (1881-1957)

The Bathers

Signed

Black chalk, colored chalks and watercolor on paper

55 x 75 cm

To be dated circa 1923/24

(SOLD)

Fred Smits (second half 20th century)

Het Gerecht, Leiden

Signed, dated 1971 and titled and inscribed ‘de hitte schroeit het stenen plein’ on the reverse

Oil on board

93 x 59 cm

(SOLD)

Dirk Smorenberg (1883-1960)

Poppies

Signed and dated ‘17

Oil on canvas

70 x 118 cm

Literature: Emke Raas-Kruimel a.o., Dirk Smorenberg in de ban van de natuur, Singer Laren, 2005, page 53 (illustrated)

(SOLD)

Dirk Smorenberg (1883-1960)

Tulips in a vase

Signed and dated ‘22

Oil on canvas

65 x 95 cm

Literature: Emke Raas-Kruimel, 2005, page 22 (illustrated)

(SOLD)

Ben Snijders (b.1943)

'Flesje' (the little bottle)

Signed and dated ’76

Oil on panel

12 x 10.5 cm

(SOLD)

Frans Stamkart (1874-1947)

De bruid

Gesigneerd met initialen rechtsonder

Olieverf op doek

50 x 35 cm

Dit schilderij van Stamkart is een exceptioneel en zeldzaam werk

Een vergelijking met werk van de beroemde Franse symbolist Odilon Redon gaat hier zeker op, zeker in ogenschouw nemend dat zij ooit samen in Utrecht exposeerden

Zowel het Rijksmuseum in Amsterdam (Salome en Danseres uit de collectie van Gerard van Wezel) als het Kunstmuseum te Den Haag (Avondgang) bezitten werk van hem

In de catalogus Kunstenaren der idee; symbolistische tendenzen in Nederland ca. 1880-1930 (Haags Gemeentemuseum 1978) wordt Stamkart uitvoerig opgevoerd tussen tijdgenoten als Toorop, de Neree tot Babberich of Johan Thorn Prikker

Alfred Stevens (1823-1906)

Treport, Normandy

Signed

Oil on panel

41 x 32.5 cm

From 1881-1883 Stevens summered in the coastal city of Le Havre supported by the annual sum of 50.000 francs from the renowned Parisian art dealer Georg Petit who in return received exclusive rights to sell the seascapes he would paint there

Later, from 1890 onwards the artist left for Normandy, a.o. Treport, only once a year where he until 1902 or so kept on painting seascapes

Stevens was also called 'peintre de l'amour et de la femme'

Jan Toorop (1858-1928)

Landscape

Signed and dated 1924

Charcoal on paper

20.5 x 21 cm

Paul Desire Trouillebert (1829-1900)

On the river bank

Signed

Oil on canvas

66 x 82 cm

Thanks to Dr. John Sillevis

(SOLD)

Maurits van der Valk (1857-1935)

A rail track close to Amsterdam

Signed with monogram

Black chalk and pastel on paper

31.5 x 48 cm

Pierre de Vaucleroy (1892-1980)

On board of the passenger ship Elisabethville from Antwerp to Congo

Signed and darted 1926, and signed and dated and annotated Sous l’ Equateur on the
reverse

Oil on canvas laid down on board

30 x 40 cm

The Belgian artist Pierre de Vaucleroy has been one of the most renowned so-called Africanists of his time (cf. Lynne Thornton, Les Africanistes, 1990, pp.116, 118, 119, 123, 331)

Floris Verster (1861-1927)

Stillife with Doronicum in a ginger jar

Signed and dated 1910

Oil on panel

27 x 22 cm

Provenance: Collection H.Bruckmann-Kroller, the Hague, Kunsthandel G.J. Nieuwenhuizen Segaar, the Hague
Dr.Johan Polak, Amsterdam

Literature: Scherjon/Vogelaar, Floris Verster, 1928-2002/3, p.128, illustration number 188

Cornelis Vreedenburgh (1880-1946)

Gezicht op het Rokin, Amsterdam, gezien vanaf de Amstel in noordelijke richting, met de
Doelensluis in de voorgrond en de De Nederlandse Bank aan de Oude Turfmarkt (nu Allard
Pierson Museum) rechts, op een grijze bewolkte ochtend

Gesigneerd rechtsonder C. Vreedenburgh. 1926

Olie op doek

58.5 x 38.5 cm, in de originele vergulde lijst

Herkomst: Van de kunstenaar vererfd binnen de familie aan mevrouw Römer-Rebel, Den Haag; daarna door vererving aan de huidige eigenaar

Dit schilderij valt op door de suggestieve en transparante stijl van schilderen, in een terughoudend maar uitgewogen palet. Daarbij laat Vreedenburgh nadrukkelijk delen van het doek onbeschilderd en gebruikt de grondtoon daarvan in het spel van grijze en roze tinten. Vooral in de voorgrond met de Doelensluis en in de reflecties in het water laat het schilderij de invloed zien van James Abbott McNeill Whistler (1834 - 1903). Rechts is het pand de Oude Turfmarkt 127 te zien waar tot 1968 De Nederlandse Bank gevestigd was en vanaf 1976 het Allard Pierson Museum

Cornelis Vreedenburgh behoort tot een van de geliefdste en succesvolste schilders van zijn tijd. In 1905 ontving hij de Willink van Collenprijs; in 1937 kocht koningin Wilhelmina twee van zijn schilderijen, waarvan een van de Prins Hendrikkade, Amsterdam

Jacob Sybout ‘Jac’ de Vries (1907-1970)

Vulture/Californian Condor

Signed

Oil on canvas

100 x 70 cm

Froukje Wartena (1855-1933)

The little Professor

Signed and signed again with initials and titled on the reverse

Oil on panel

26.5 x 21.5 cm

Jan Hendrik Weissenbruch (1824-1903)

Bomschuiten and a shell fisherman on the Scheveningen beach

Signed

Ink and watercolor on paper

21.5 x 30 cm

Antoon van Welie (1866-1956)

Remembrance (Herinnering)

Signed and dated ft.1902, and inscribed with title

Pastel on paper

45 x 32.5 cm

Anthonie Jacobus van Wijngaerdt (1808-1882)

Avondschemering; Twilight

Signed, dated 1880, and inscribed with titel on the reverse

Oil on panel

8 x 5 cm

In an original period frame

Willem Witsen (1860-1923)

Violets in a vase

Signed

Oil on panel

26 x 19 cm

To be dated circa 1916